Camille Paglia Quotes

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In this post, you are about to know the quotes of Camille Paglia who is a popular author in America. She is famous for her book: Art and Decadence from Nefertiti to Emily Dickinson.

This scholar is current professor at the University of the Arts in Philadelphia, Pennsylvania. Besides her teaching career, she is also a critic of feminism. Learn more about Camille Paglia from Wikipedia. Let's start reading her quotes. and you can learn more Quotes....

Camille Paglia Quotes

High Romanticism shows you nature in all its harsh and lovely metamorphoses. Flood, fire and quake fling us back to the primal struggle for survival and reveal our gross dependency on mammoth, still mysterious forces.

My argument has always been that nature has a master plan pushing every species toward procreation and that it is our right and even obligation as rational human beings to defy nature's fascism. Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.

Pursuit and seduction are the essence of sexuality. It's part of the sizzle.

Feminism is dead. The movement is absolutely dead. The women's movement tried to suppress dissident voices for way too long. There's no room for dissent.

For all the feminist jabber about women being victimized by fashion, it is men who most suffer from conventions of dress. Every day, a woman can choose from an army of personae, femme to butch, and can cut or curl her hair or adorn herself with a staggering variety of artistic aids. But despite the Sixties experiments in peacock dress, no man can rise in the corporate world today, outside the entertainment industry, with long hair or makeup or purple velvet suits.

My advice, as in everything, is to read widely and think for yourself We need more dissent and less dogma.

Camille Paglia Quotes

A serious problem in America is the gap between academe and the mass media, which is our culture. Professors of humanities, with all their leftist fantasies, have little direct knowledge of American life and no impact whatever on public policy.

It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.

If feminism has receded in visibility and prestige, it is precisely because its vision of life's goals and rewards has become too narrow and elitist.

Madonna remains the most visible performer on the planet, as well as one of the wealthiest, but would anyone seriously say that artistic self-development is her primary motivating principle? She is too busy with Kabbalah, fashion merchandising, adoption melodramas, the gym, and ill-starred horseback riding to study art.

Old school feminism, coveting social power, is blind to woman's cosmic sexual power.

If civilization had been left in female hands we would still be living in grass huts.

Christianity began as a religion of the poor and dispossessed - farmers, fishermen, Bedouin shepherds. There's a great lure to that kind of simplicity and rigor - the discipline, the call to action.

Criticism at its best is re-creative, not spirit-killing.

The airheads of Congress will keep their own plush healthcare plan - it's the rest of us guinea pigs who will be thrown to the wolves.

Ever since Romanticism, an oppositional mode, artists have the right, and indeed the duty, to attack social convention. But it is ridiculous and in fact self-infantilizing for them to expect to be financially supported by the general public whom they are insulting.

Eroticism is mystique; that is, the aura of emotion and imagination around sex. It cannot be 'fixed' by codes of social or moral convenience, whether from the political left or right. For nature's fascism is greater than that of any society. There is a daemonic instability in sexual relations that we may have to accept.

Are we like late Rome, infatuated with past glories, ruled by a complacent, greedy elite, and hopelessly powerless to respond to changing conditions?

I don't like reality shows and have never watched them, but I'm addicted to 'Real Housewives' because it's authentic old-time soap opera reborn!

'Mad Men' doesn't capture one single thing about the decor, costumes, or sexual interaction. It is a total projection of contemporary snarky attitudes into the past.

It's time for a recovery and reassessment of North American thinkers. Marshall McLuhan, Leslie Fiedler and Norman O. Brown are the linked triad I would substitute for Jacques Lacan, Jacques Derrida and Michel Foucault, whose work belongs to ravaged postwar Europe and whose ideas transfer poorly into the Anglo-American tradition.

My grandfather worked in a shoe factory - he was an Italian immigrant. My father was the first to go to college in the family.

It is capitalist America that produced the modern independent woman. Never in history have women had more freedom of choice in regard to dress, behavior, career, and sexual orientation.

Capitalism has its weaknesses. But it is capitalism that ended the stranglehold of the hereditary aristocracies, raised the standard of living for most of the world and enabled the emancipation of women.

My generation of the Sixties, with all our great ideals, destroyed liberalism, because of our excesses.

with all our great ideals, destroyed liberalism, because of our excesses.

Leaving sex to the feminists is like letting your dog vacation at the taxidermist.

Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.

Manhood coerced into sensitivity is no manhood at all.

Nature is always pulling the rug out from under our pompous ideals.

Although I'm an atheist who believes only in great nature, I recognize the spiritual richness and grandeur of the Roman Catholicism in which I was raised.

Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.

Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970 s.

Straight men who visit prostitutes are valiantly striving to keep sex free from emotion, duty, family--in other words, from society, religion, and procreative Mother Nature.

Over the past 20 years, I have noticed that the most flexible, dynamic, inquisitive minds among my students have been industrial design majors. Industrial designers are bracingly free of ideology and cant. The industrial designer is trained to be a clear-eyed observer of the commercial world - which, like it or not, is modern reality.

Education has become a prisoner of contemporaneity. It is the past, not the dizzy present, that is the best door to the future.

It is the past, not the dizzy present, that is the best door to the future.

Uncritical American boosterism - automatic endorsement of every government action - is myopic and self-defeating.

Pornography is human imagination in tense theatrical action; its violations are a protest against the violations of our freedom by nature.

Now that virtually every career is an option for ambitious girls, it can no longer be considered regressive or reactionary to reintroduce discussion of marriage and motherhood to primary education. We certainly do not want to return to the simplistic duality of home economics classes for girls and wood shop for boys.

We cannot have a world where everyone is a victim. "I'm this way because my father made me this way. I'm this way because my husband made me this way." Yes, we are indeed formed by traumas that happen to us. But then you must take charge, you must take over, you are responsible.

Woman is the dominant sex. Men have to do all sorts of stuff to prove that they are worthy of woman's attention.

Men have sacrificed and crippled themselves physically and emotionally to feed, house, and protect women and children. None of their pain or achievement is registered in feminist rhetoric, which portrays men as oppressive and callous exploiters.

I'm a professor of media studies as well as humanities, and I'm an evangelist of popular culture, but when there's only media, then there's going to be a slow debasement of language, and that's what I think we're fighting.

Beauty is our escape from the murky flesh-envelope that imprisons us.

Considering the popularity of soaps with the African-American audience, it's grotesque that the entertainment industry, for all its vaunted liberalism, is lagging so far behind social changes in the United States. And why has there never been an all-black daytime network soap? It would probably blow the white soaps off the map.

As a longtime fan of talk radio, I'm very worried about the low opinion that conservative hosts and callers have of the American artist. Art is portrayed as a scam, a rip-off and snow job pushed by snobbish elites.

The only thing that will be remembered about my enemies after they're dead is the nasty things I've said about them.

Cats are autocrats of naked self-interest. They are both amoral and immoral, consciously breaking rules. Their ''evil'' look at such times is no human projection: the cat may be the only animal who savors the perverse or reflects upon it

A lesser complaint: hair extensions. There are moments on 'All My Children' when half the women actors, young and old, seem to be afflicted by android Barbie creep. All those thick swatches of lifeless strands clustering lankly round ladies' necks! Like orange tanning spray, this is a fashion fad that should be put out of its misery.

Enough already of Lacan, Derrida, and Foucault poured like ketchup over everything. Lacan: the French fog machine; a grey-flannel worry-bone for toothless academic pups; a twerpy, cape-twirling Dracula dragging his flocking stooges to the crypt. Lacan is a Freud T-shirt shrunk down to the teeny-weeny Saussure torso. The entire school of Saussure, inluding Levi-Strauss, write their muffled prose of people with cotton wool wrapped around their heads; they're like walking Q-tips. Derrida: a Gloomy Gus one-trick pony, stuck on a rhetorical trope already available in the varied armory of New Criticism. Derrida's method: masturbating without pleasure. It's a birdbrain game for birdseed stakes. Neo-Foucaldian New Historicism: a high-wax bowling alley where you score points just by knocking down the pins.

We must accept our pain, Change what we can and laugh at the rest.

Change what we can and laugh at the rest.

Anti-religious sneers are a hallmark of perpetual adolescents.

Western science is a product of the Apollonian mind: its hope is that by naming and classification, by the cold light of intellect, archaic night can be pushed back and defeated.

Though men may be deep, mentally they are slow.

The western mind makes definitions; it draws lines.

What has been forgotten is that there were major intellectual breakthroughs in the 1960s, thanks to North American writers of an older generation. There was a rupture in continuity, since most young people influenced by those breakthroughs did not enter the professions.

I have a long view of history - my orientation is archaeological because I'm always thinking in terms of ancient Greece and Rome, ancient Persia and Egypt.

I've always felt that the obligation of teachers is to have a huge, broad overview and to provide a foundation course to the students. The long view of history is absolutely crucial.

I guess I'm just a natural warrior.

Modern bodybuilding is ritual, religion, sport, art, and science, awash in Western chemistry and mathematics. Defying nature, it surpasses it.

There is no female Mozart because there is no female Jack the Ripper.

Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.

liberalism defines government as tyrant father but demands it behave as nurturant mother.

The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.

If people want to be better writers, they can't just read the blogs! You've got to look at something that's outside this rushing world of evanescent words.

The Earth is littered with the ruins of empires that believed they were eternal.

 believed they were eternal.

I remember turning 'The Sopranos' on once and within two minutes nearly throwing a brick through the screen.

I don't feel less because I'm in the presence of a beautiful person. I don't go, oh, I'll never be that beautiful! What a ridiculous attitude to take! ....When men look at sports, when they look at football, they don't go, oh, I'll never be that fast!, I'll never be that strong!

I regard affirmative action as pernicious - a system that had wonderful ideals when it started but was almost immediately abused for the benefit of white middle-class women.

I was the first to advocate the Web. But I am very troubled by this thing that every kid must have a laptop computer. The kids are totally in the computer age. There's a whole new brain operation that's being moulded by the computer.

I believe that everybody has the right to view his or her own body as a palette. However, I think intellectuals should at least try to be role models.

Music never dies. Do we really need another Madonna tour? Does she have to compete with women performers 25 years her junior?

My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape.

Students are very gullible about the web. The only way you can really sort out information on the web is if you've had a prior training in book culture.

Why has the Democratic Party become so arrogantly detached from ordinary Americans? Though they claim to speak for the poor and dispossessed, Democrats have increasingly become the party of an upper-middle-class professional elite, top-heavy with journalists, academics and lawyers.

I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.

Men know they are sexual exiles. They wander the earth seeking satisfaction, craving and despising, never content. There is nothing in that anguished motion for women to envy.

Sotomayor's vainglorious lecture bromide about herself as 'a wise Latina' trumping white men is a vulgar embarrassment - a vestige of the bad old days of male-bashing feminism.

Gay men are guardians of the masculine impulse. To have anonymous sex in a dark alleyway is to pay homage to the dream of male freedom. The unknown stranger is a wandering pagan god. The altar, as in pre-history, is anywhere you kneel.

My generation of bossy, confident, baby-boom women were something brand new in history. Our energy and assertiveness weren't created by Betty Friedan, unknown before her 1963 book, or by Gloria Steinem, whose political activism, as even the Lifetime profile admitted, did not begin until 1969.

I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passe abstractions like beauty, nobility, and greatness have a shifting but continuing validity.

Art is something out of the ordinary commenting on the ordinary.

A woman simply is, but a man must become. Masculinity is risky and elusive. It is achieved by a revolt from woman, and it is confirmed only by other men.

In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.

Moralism and ignorance are responsible for the constant stereotyping of prostitutes by their lowest common denominator -- the sick, strung-out addicts, couched on city stoops, who turn tricks for drug money. . . . The most successful prostitutes in history have been invisible. That invisibility was produced by their high intelligence, which gives them the power to perceive, and move freely but undetected in the social frame. The prostitute is a superb analyst, not only in evading the law but in initiating the unique constellation of convention and fantasy that produces a stranger’s orgasm. She lives by her wits as much as her body. She is a psychologist, actor, and dancer, a performance artist of hyper-developed sexual imagination.

Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.

Young feminists have been sold a bill of goods about American feminism. The enormous changes in women over the past 40 years are constantly and falsely attributed to the organized women's movement of the late 1960s and '70s.

If colleges and universities are really concerned about women's rights, then they must adjust to a far more flexible structure to allow young women students to take leaves of absence if they want to have children early.

I'm worried about the future of America insofar as our academically most promising students are being funneled through the cookie-cutter Ivy League and other elite schools and emerging with this callow anti-American, anti-military cast to their thinking.

If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them.

Every man must define his identity against his mother. If he does not, he just falls back into her and is swallowed up.

When anything goes, it's women who lose.

Heaven help the American-born boy with a talent for ballet.

You have to accept the fact that part of the sizzle of sex comes from the danger of sex. You can be overpowered.

Television is actually closer to reality than anything in books. The madness of TV is the madness of human life.

All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!

Within the U.S., the Obama presidency will be mainly measured by the success or failure of his economic policies. And here, I fear, the monstrous stimulus package with which this administration stumbled out of the gate will prove to be Obama's Waterloo.

The moment is ripe for an experienced businessman to talk practical, prudent economics to the electorate - which is why Mitt Romney's political fortunes are steadily being resurrected from the grave.

Rule of art: Cant kills creativity!

The damage done to U.S. prestige by the feckless, buffoonish George W. Bush will take years to repair.

If Obama fails to win reelection, let the blame be first laid at the door of Speaker of the House Nancy Pelosi, who at a pivotal point threw gasoline on the flames by comparing angry American citizens to Nazis.

We are merely one of a multitude of species upon which nature indiscriminately exerts its force. Nature has a master agenda we can only dimly know.

Our presence in Afghanistan is not worth the price of any more American lives or treasure.

Love is a crowded theater, for as Harold Bloom remarks, “We can never embrace (sexually or otherwise) a single person, but embrace the whole of her or his family romance.

The plastic surgery issue is really looming because girls in the U.S. are getting it in their teens.

Charisma is the numinous aura around a narcissistic personality. It flows outward from a simplicity or unity of being and a composure and controlled vitality. There is gracious accommodation, yet commanding impersonality. Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self love.

When I was a child, my father taught me to put up my fists like a boy and to be prepared to defend myself at all times.

The prostitute is not, as feminists claim, the victim of men, but rather their conqueror, an outlaw, who controls the sexual channels between nature and culture

Perhaps there is no greater issue facing contemporary women than the choices they must make about balancing home and work.

I am a very reclusive, private person.

Contemporary feminism cut itself off from history and bankrupted itself when it spun its puerile, paranoid fantasy of male oppressors and female sex-object victims. Woman is the dominant sex.

Consciousness is a pitiful hostage of its flesh-envelope, whose surges, circuits, and secret murmurings it cannot stay or speed. This is the chthonian drama that has no climax but only an enedless round, cycle upon cycle. Microcosm mirrors macrocosm. Free will is stillborn in the red cells of our body, for there is no free will in nature. Our choices come to us prepackaged and special delivery, molded by hands not our own.

Men chase by night those they will not greet by day.

I certainly derived my skills as a prose writer from my scrutiny of poetry and of the individual word. But schools don't do things like that anymore - tracking words down to their roots.

Working moms commonly testify that they feel guilty when they are away from their children and guilty when they are not at their jobs. Devoted fathers certainly miss their children deeply, but it does not seem to be with the same gnawing, primal anxiety that often afflicts women.

Not untill all babies are born from glass jars will the combat cease between mother and son. But in a totalitarian future that has removed procreation from woman's hands, there will also be no affect and no art. Men will be machines, without pain but also without pleasure. Imagination has a price, which we are paying every day. There is no escape from the biologic chains that bind us.

Poetry is the way into a spiritual vision of society and the universe.

I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.

Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.

One of the main reasons I am so drawn to Hitchcock is that he planned his shots way in advance on story-boards, which he designed like classic paintings (he was an art connoisseur). It's why he found shooting on set boring - because he had already composed the film in his head.

The true mission of feminism today is not to carp about the woes of affluent Western career women but to turn the spotlight on life-and-death issues affecting women in the Third World, particularly in rural areas where they have little protection against exploitation and injustice.

The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.

Because of my own family's service (in the U.S. Army, Navy, and Massachusetts and New York National Guard), I am a strong supporter of the military and do believe that there are just wars.

Except for naval and air exercises, our military should be stationed on American soil, where service men and women can lead normal lives in close proximity to family and friends.

Twentieth-century physics, going full circle back to Heracleitus, postulates that all matter is in motion. In other words, there is no thing, only energy.

American policy seems to be wed to a perpetual state of war. Why? History shows that the world will always be in flux or turmoil, with different peoples competing for visibility and power. The U.S. cannot fix the fate of every nation.

Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.

I see far stronger and more charismatic personalities strolling around Philadelphia's neighborhoods than are being featured in most of today's bland daytime soaps.

Daytime soap operas, which I used to adore, have been declining in quality and importance for over a decade, and I gradually stopped monitoring them.

Madonna is her own Hollywood studio - a popelike mogul and divine superstar in one. She has a laserlike instinct for publicity, aided by her visual genius for still photography (which none of her legion of imitators has). Unfortunately, her public life has dissolved into a series of staged photo ops.

We live in a period of declining stars. Few celebrities these days (aside from the smoldering Angelina Jolie) seem to have complex psychic lives.

As a major contemporary composer, Madonna should not let the eye dictate to the ear.

Popular culture - above all rock 'n' roll, with its African-American R & B roots - did far more to radicalize us than did any feminist leader.

Venus of Willendorf carries her cave with her. She is blind, masked. Her ropes of corn-row hair look forward to the invention agriculture. She has a furrowed brow. Her facelessness is the impersonality of primitive sex and religion. There is no psychology or identity yet, because there is no society, no cohesion. Men cower and scatter at the blast of the elements. Venus of Willendorf is eyeless because nature can be seen but not known. She is remote even as she kills and creates. The statuette, so overflowing and protuberant, is ritually invisible. She stifles the eye. She is the cloud of archaic night.

I am waiting impatiently for the day when beleaguered, like-minded academics can order James Wolcott's collected essays for their classes.

A war still rages over the legacy of the 1960s.

The Bible has come under fire for making woman the fall guy in man's cosmic drama. But in casting a male conspirator, the serpent, as God's enemy, Genesis hedges and does not take its misogyny far enough. The Bible defensively swerves from God's true opponent, chthonian nature. The serpent is not outside Eve but in her. She is the garden and the serpent.

The North American intellectual tradition began, I maintain, in the encounter of British Romanticism with assertive, pragmatic North American English - the Protestant plain style in both the U.S. and Canada, with its no-nonsense Scottish immigrants.

I am a registered Democrat who is determined to return my party to the proletarian principles of the Franklin D. Roosevelt era.

The only way to teach focus is to present the eye with opportunities for steady perception—best supplied by the contemplation of art. Looking at art requires stillness and receptivity, which realign our senses and produce a magical tranquillity.

Our liberal, New York/Washington-based media would never in a million years put Liberal Godfather Ted Kennedy on the spot about his clan's bad behavior, to whose lurid history he himself has contributed so much.

I respect the astute and rigorously unsentimental David Horowitz as one of America's most original and courageous political analysts. He has the true 1960s spirit - audacious and irreverent, yet passionately engaged and committed to social change.

Nature, I have constantly argued in my work, is the real superpower of this godless universe. It is the ultimate disposer of human fate, randomly recarving geography over 10,000-year epochs.

Younger women have no problem in reconciling beauty with ambitions as a professional woman.

To whom does he owe ultimate re- sponsibility? Since Romanticism, we have expected the artist not to celebrate God, king, family, and established values but to break taboos, to explore his or her deepest, most socially forbidden self.

As a scholar who regularly surveys archival material, I think that, a century from now, cultural historians will find David Horowitz's spiritual and political odyssey paradigmatic for our time.

My problem is that I do not get along with lesbians at all. They don't like me, and I don't like them.

Video games and YouTube.com are creatively booming, even though Web design, as demonstrated by the ugly clutter of most major news sites, is in the pits.

Bravo's 'Real Housewives' series isn't just entertainment for devoted fans like me - it's an entire all-absorbing universe of pride and passion.

[W]earisome as it may seem, women must realize that, in making a commitment to a man, they have merged in his unconscious with his mother and have therefore inherited the ambivalence of that relationship.

As a registered Democrat, I am praying for a credible presidential candidate to emerge from the younger tier of politicians in their late 40s. A governor with executive experience would be ideal.

I want young women when they're 14 to start thinking about what they want over the course of their lives.

The reason I was angry all the time was that Gloria Steinem and all those people, without reading my work, were saying all these horrible things against me.

I don't go to New York. I don't go to parties. I just do my business and study nature. My career is 28 years in an obscure art school, with limited staff and no perks. All I am is a teacher.

It's aggravating that Hollywood has never gotten credit for the role it played in promoting modern design.

Leftism should be about the people. That's how it began.

I consider myself not a conservative libertarian but a radical '60s libertarian.

I believe that government should confine itself to the public realm and that it should be as stripped down as possible, within reason. It should not be burdened by excess bureaucracy.

Back in the 1960s, I got a superb education for very little money. The bill for my first year at Harpur College in New York was a few hundred dollars.

I love the Web, but the basis of my work is going through the physical books. When you go to the library, you see other books around on the shelves that you never knew existed. You can flip through a book and see the whole outline of it.

I'm very pro-American - my entire family escaped poverty in Italy because they rightly believed in the American dream.

It is not true that I oppose government funding of the arts.

No genuinely avant-garde artist should ever be on the government dole.

I want to promote the introduction of art history in primary schools and to convince the general public that, even in a period of economic crisis, arts funding is an absolute necessity at the federal, state, and local levels.

I've been a longtime admirer of Condoleezza Rice, because I like her articulateness and style - her toughness and rigor.

Primary-school education is a crock, basically. It's oppressive to anyone with physical energy, especially guys.

I believe that every person, male and female, needs to be in a protective mode at all times of alertness to potential danger. The world is full of potential attacks, potential disasters.

Imperialism and slavery are no white male monopoly, but are everywhere from Egypt, Assyria, and Persia to India, China and Japan.

Male aggression and lust are the energizing factors in culture. They are men's tools of survival in the pagan vastness of female nature.

Every reading is partial, but that does not absolve us from the quest for meaning, which defines us as a species.

American feminism has a man problem. The beaming Betty Crockers, hangdog dowdies, and parochial prudes who call themselves feminists want men to be like women. They fear and despise the masculine. The academic feminists think their nerdy bookworm husbands are the ideal model of human manhood. But

At some level, all love is combat, a wrestling with ghosts.

Every road from Rousseau leads to Sade.

Society is a system of inherited forms reducing our humiliating passivity to nature.

Homosexuality is not 'normal' On the contrary it is a challenge to the norm...Nature exists whether academics like it or not. And in nature, procreation is the single relentless rule. That is the norm. Our sexual bodies were designed for reproduction...No one is born gay. The idea is ridiculous...homosexuality is an adaptation, not an inborn trait.

What feminism calls patriarchy is simply civilization , an abstract system designed by men but augmented and now co-owned by women.

Women are not in control of their bodies; nature is. Ancient mythology, with its sinister archetypes of vampire and Gorgon, is more accurate than feminism about the power and terror of female sexuality.

When it defines man as the enemy, feminism is alienating women from their own bodies.

I want to fall on the floor laughing - imagining Hillary Clinton working well in the Senate with everybody else! Oh, give me a break. I've already joked in print that they would need to build her a private cloakroom on the Mall. This is not a woman who has any ability to deal with the mass of humanity. She is the most arrogant, the most moralistic, the most sermonizing and annoying person on earth.

We need a new kind of feminism, one that stresses personal responsibility and is open to art and sex in all their dark, unconsoling mysteries

Patriarchy, routinely blamed for everything, produced the birth control pill, which did more to free contemporary women than feminism itself.

Women's studies is a comfy, chummy morass of unchallenged groupthink . It is, with rare exception, totally unscholarly. Academic feminists have silenced men and dissenting women.

The number one problem in academia today is not ignorant students but ignorant professors, who have substituted narrow "expertise" and "theoretical sophistication" (a preposterous term) for breadth and depth of learning in the world history of art and thought... Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion. This is one of the primary reasons for the dullness and ineptitude of so much twentieth-criticism, as compared to nineteenth-century belles-lettres.

Prostitution is not just a service industry, mopping up the overflow of male demand, which always exceeds female supply. Prostitution testifies to the amoral power struggle of sex.... Prostitutes, pornographers, and their patrons are marauders in the forest of archaic night.

Pregnancy demonstrates the deterministic character of woman’s sexuality. Every pregnant woman has body and self taken over by a chthonian force beyond her control. In the welcome pregnancy, this is a happy sacrifice. But in the unwanted one, initated by rape or misadventure, it is a horror. Such unfortunate women look directly into nature’s heart of darkness. For a fetus is a benign tumor, a vampire who steals in order to live. The so-called miracle of birth is nature getting her own way.

Capitalism is an art form, an Apollonian fabrication to rival nature. It is hypocritical for feminists and intellectuals to enjoy the pleasures and conveniences of capitalism while sneering at it.... Everyone born into capitalism has incurred a debt to it. Give Caesar his due.

I don't remember the fat women. Can we leave the fat women out of this? Excuse me, I have to go to the toilet.

The more woman aims for personal identity and autonomy ... the fiercer will be her struggle with nature - that is, with the intractable physical laws of her own body. And the more nature will punish her: 'Do not dare to be free! For your body does not belong to you.

The trauma of the Sixties persuaded me that my generation's egalitarianism was a sentimental error. I now see the hierarchical as both beautiful and necessary. Efficiency liberates; egalitarianism tangles, delays, blocks, deadens.

The greatest honor that can be paid to the work of art, on its pedestal of ritual display, is to describe it with sensory completeness. We need a science of description. Criticism is ceremonial revivification.

Minerva save us from the cloying syrup of coercive compassion!

Forms of cultural expression have their own dynamic, whose evolution can never be fully foreseen.

American universities are organized on the principle of the nuclear rather than the extended family. Graduate students are grimly trained to be technicians rather than connoisseurs. The old German style of universal scholarship has gone.

Our major universities are now stuck with an army of pedestrian, toadying careerists, Fifties types who wave around Sixties banners to conceal their record of ruthless, beaver-like tunneling to the top.

The avant-garde was a magnificent and revolutionary phase in the history of art, but it’s completely over. Artists and galleries must (in Ann Landers’ immortal words) wake up and smell the coffee!

This is all meaningless... sometimes it’s like, 'oh my God, the news', and then I pick up my book and suddenly I’m reading about ten thousand years ago again, and, wow, that gives you a perspective.

Sex is not a tragedy, it's a comedy!

All sacred spaces, pagan or Christian, should be honored, not because there is or is not a God but because these are quiet points of contact between the individual and the macrocosm.

In a democracy, everyone, no matter how nonconformist or eccentric, should be free from harassment and abuse. But at the same time, no one deserves special rights, protections, or privileges on the basis of their eccentricity.

The massive power of commercial media can only be countered by alternative images from world art and culture.

I know what real radicals look like — and they did not go on to graduate school.

Repression is an evolutionary adaptation permitting us to function under the burden of our expanded consciousness. For what we are conscious of could drive us mad.

When the prestige of state and religion is low, men are free, but they find freedom intolerable and seek new ways to enslave themselves, through drugs or depression.

The taboo on woman’s body is the taboo that always hovers over the place of magic.

I long ago stopped watching TV news and chat shows because of the tedium of their hackneyed polarized politics and smarmy personnel.

A bitter polarization of liberal and conservative has become so extreme and strident in both the Americas and Europe that it sometimes resembles mental illness, severed from the common sense realities of everyday life.

Man is a fetishist. Without his fetish, woman will just gobble him up again.

Every male projection is transient and must be anxiously, endlessly renewed.

To impose rigid sex codes devised for the genteel bourgeois office on the dynamic performing arts will inevitably limit rapport, spontaneity, improvisation and perhaps creativity itself.

Yes! I believe in objectification. The human eye makes objects.

Poetry is the connecting link between body and mind. Every idea in poetry is grounded in emotion. Every word is a palpation of the body. The multiplicity of interpretation surrounding a poem mirrors the stormy uncontrollability of emotion, where nature works her will.

Major peaks of western culture have been accompanied by a high incidence of male homosexuality— in classical Athens and Renaissance Florence and London. Male concentration and projection are self-enhancing, leading to supreme achievements of Apollonian

The female body’s unbearable hiddenness applies to all aspects of men’s dealings with women. What does it look like in there? Did she have an orgasm? Is it really my child? Who was my real father? Mystery shrouds woman’s sexuality.

Great art has often been made by bad people. So what? Expecting the artist to be a good person was a sentimental canard of Victorian moralism, rejected by the 'art for art’s sake' movement led by Charles Baudelaire and Oscar Wilde.

Political correctness represents the fossilized institutionalization of once-vital revolutionary ideas, which have become mere rote formulas. It is repressively Stalinist, dependent on a labyrinthine, parasitic bureaucracy to enforce its empty dictates.

Woman’s body is a labyrinth in which man is lost.

Everything sacred and inviolable provokes profanation and violation.

My lifelong gender dysphoria has certainly been a primary inspiration for my entire career as a researcher and writer. I have never for a moment felt female—but neither have I ever felt male either. I regard my ambiguous position between the sexes as a privilege that has given me special access to and insight into a broad range of human thought and response.

I must confess that I find very little of interest in too-formulaic contemporary pornography — except for the always hot gay-male scenarios that one stumbles on in surfing the Web.

Taylor Swift is the third rail of American culture.

I can’t stand the bad lighting, tinny voices, snarky scripts and fake cool of today’s (reality) TV shows.

For two years, I have spent an irritating amount of time trying to avoid Gaga’s catchy but depthless hits.

It is woman’s destiny to rule men. Not to serve them, flatter them, or hang on them for guidance.

Eat dirt, you sour Clintons, who said Obama was “unelectable.

And let me take this opportunity to say that of all the innumerable print and broadcast journalists who have interviewed me in the U.S. and abroad since I arrived on the scene nearly 20 years ago, Katie Couric was definitively the stupidest.

Everything that calls itself avant-garde today is just a tedious imitation of earlier and far superior modernist art.

I am of course delighted that the fanatical puritan feminists of the anti-pornography crusade of the 1980s have been forced to eat dirt! Their arrogant success in pushing Playboy and Penthouse out of the convenience stores (a campaign where they allied with conservative Christian groups) evaporated when the Web went big in the ‘90s.

Jesus was a brilliant Jewish stand-up comedian, a phenomenal improvisor. His parables are great one-liners.

Madonna is the true feminist. She exposes the puritanism and suffocating ideology of American feminism, which is stuck in an adolescent whining mode. Madonna has taught young women to be fully female and sexual while still exercising control over their lives.

Male urination really is a kind of accomplishment, an arc of transcendance. A woman merely waters the ground she stands on.

How sickeningly debased our politics have become that this jabbering cartoon weasel (Anthony Weiner) could be taken seriously for a second as a candidate for mayor of New York…The compulsion to exhibit and boast about one’s penis is embarrassingly infantile — the obvious residue of some squalid family psychodrama in childhood that is now being replayed in public.

Foucault, Foucault, Foucault — a con artist who will one day be a mere footnote in the bulging chronicle of academic follies.

It remains baffling how anyone would think that Hillary Clinton (born the same year as me) is our party’s best chance. She has more sooty baggage than a 90-car freight train.

People who can’t see how smart Palin is are trapped in their own narrow parochialism — the tedious, hackneyed forms of their upper-middle-class syntax and vocabulary.

In this tight job market, young scholars are in a terrible bind. They have to cater to and flatter the academic establishment if they hope to survive.

Oh, feminism is still alive?

Let's get rid of Infirmary Feminism, with its bedlam of bellyachers, anorexics, bulimics, depressives, rape victims, and incest survivors. Feminism has become a catch-all vegetable drawer where bunches of clingy sob sisters can store their moldy neuroses.

The real butches are straight ... dealing with and controlling men makes you stronger.

The moral ambivalence of the great mother goddesses has been conveniently forgotten by those American feminists who have resurrected them. We cannot grasp nature's bare blade without shedding our own blood.

We have an evolutionary revulsion from slime, the site of our biologic origins. Every month, it is woman's fate to face the abyss of time and being, the abyss which is herself.

Everything great in western culture has come from the quarrel with nature.

The capitalist distribution network, a complex chain of factory, transport, warehouse and retail outlet, is one of the greatest male accomplishments in the history of culture.

What is Mona Lisa thinking? Nothing, of course. Her blankness is her menace and our fear. [...] Walter Pater is to call her a 'vampire,' coasting through history on her secret tasks.

Oil painting and color, said Michelangelo, are for “women and the lazy.” His sharp-edged Apollonian style is the only way to beat back mother nature.

I am a passionate admire of Sappho, but that has to be one of the stupidest sentences I have ever seen in a scholarly book.

In high school in the early Sixties, I dreamed of intellectual work by women that would match the highest male standards and set men on their ear. A lot of women have done a lot of academic work since then, but most of them fall short of that standard.

Lacan, Derrida and Foucault are the perfect prophets for the weak, anxious academic personality, trapped in verbal formulas and perennially defeated by circumstances. They offer a self-exculpating cosmic explanation for the normal professorial state of resentment, alienation, dithering passivity and inaction.

The post-war "publish or perish" tyranny must end. The profession has become obsessed with quantity rather than quality. [...] One brilliant article should outweigh one mediocre book.

The only antidote to the magic of images is the magic of words.

Mind is a captive of the body.

Capitalism, gaudy and greedy, has been inherent in western aesthetics from ancient Egypt on. It is the mysticism and glamour of things , which take on a personality of their own. As an economic system, it is in the Darwinian line of Sade, not Rousseau.

Greek pederasty honored the erotic magnetism of male adolescence in a way that today brings police to the door. Children are more conscious and perverse than parents like to think.

The thrill of terror is passive, masochistic, and implicitly feminine. It is imaginative submission to overwhelming superior force.

The saints, many of them women, warred with themselves as well as God. The body has its own animal urges, just as there are attractions and repulsions in sex that modern liberalism cannot face.

We do not need French post-structuralism, whose pedantic jargon, clumsy convolutions, and prissy abstractions have spread throughout academe and the arts and are now blighting the most promising minds of the next generation. This is a major crisis if there ever was one, and every sensible person must help bring it to an end.

Running to Mommy and Daddy on the campus grievance committee is unworthy of strong women.

The followers of Derrida are pathetic, snuffling in French pockets for bits of pieces of a deconstructive method already massively and coherently presented and with a mature sense of the sacred in Buddhism and Hinduism.

The piddling ignoramuses who deny that there is a distinct, discernible, objective western tradition are just woozy literati.

Sappho and Emily Dickinson are the only woman geniuses in poetic history.

There is no true expertise in the humanities without knowing all of the humanities. Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion.

Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straightshooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.

Even the best critical writing on Emily Dickinson underestimates her. She is frightening. To come to her directly from Dante, Spenser, Blake, and Baudelaire is to find her sadomasochism obvious and flagrant. Birds, bees, and amputated hands are the dizzy stuff of this poetry. Dickinson is like the homosexual cultist draping himself in black leather and chains to bring the idea of masculinity into aggressive visibility.

Human life began in flight and fear. Religion rose from rituals of propitiation, spells to lull the punishing elements.

The last western society to worship female powers was Minoan Crete. And significantly, that fell and did not rise again.

The female body is a chthonian machine, indifferent to the spirit who inhabits it.

Metaphorically, every vagina has secret teeth, for the male exits as less than when he entered.

The genders so indiscriminately mingle in Cleopatra that she makes transexual word errors under stress. Cleopatra has a Dionysian all-inclusiveness. She breaks through social restraints to plunge into the sensual, orgiastic pleasure of pure feeling.

In sex, man is driven into the very abyss which he flees. He makes a voyage to non-being and back.

Artemis is unfeminine because uninfluenced by the environment, which she surmounts.

Kill the imagination, lobotomize the brain, castrate and operate: then the sexes will be the same.

The Gothic tradition was begun by Ann Radcliffe, a rare example of a woman creating an artistic style.

Dionysus was identified with liquids - blood, sap, milk, wine. The Dionysian is nature's chthonian fluidity.

Not a shred of evidence supports the existence of matriarchy anywhere in the world at any time. . . . The matriarchy hypothesis, revived by American feminism, continues to flourish outside the university.

For Harrison, the Olympian gods are patriarchal betrayers of earth-cult and mother nature. The chthonian is her test of authenticity and spiritual value. But I say there is neither person, thought, thing, nor art in the brutal chthonian.

The wet dream of Dionysian liquidity takes the hard edges off things. Objects and ideas are fuzzy, misty - that mistiness Johnny Mathis sings of in love.

Apollo is the western eye victorious.

Visionary idealism is a male art form. The lesbian aesthete does not exist. But if there were one, she would have learned from the perverse male mind.

The beautiful boy is without motive force or deed; hence he is not a hero. Because of his emotional detachment, he is not a heroine. He occupies an ideal space between male and female, effect and affect. . . . He is, I suggested, a secular saint.

Beatrice, after all, was barely eight when Dante fell in love with her in her crimson dress.

With the Hellenistic tilt towards women, prefigured by Euripides, the beautiful boy slides toward the feminine, a symptom of decadence.

The Great Mother, like Rome herself, is the Whore of Babylon.

For Harrison, Athena's virginity is sterile because unfertile in the chthonian sense. But virginity is perfect autonomy.

The Fairie Queene' makes cinema out of the west's primary principle: to see is to know; to know is to control. The Spenserian eye cuts, wounds, rapes.

Bronzino, for example, captures the mannish profile of poetess Laura Battiferri.

Vulnerability generates its own entrapments, creating a maelstrom of voracity around itself. Nature abhors a vacuum.

Like Milton's 'fawning' Satan, the smooth flatterer crawls on his belly, twisting and turning with changing circumstance. He is purely reactive, a parody of femininity, each word and deed a cloying mime of the ruler's desire.

Britomart's shiny armour and Belphoebe's Byzantine glitter [in 'The Fairie Queene'] attempts to polish and perfect the eye and keep it free. Spenser longs for an Apollonian woman.

The smokiness of sfumato is Dionysian mistiness, the fog hanging over the chthonian swamp.

I cannot be convinced that great artists are moralists. Art is first appearances, then meaning.

Infant Joy' has the moral emptiness of Spenser's femininity, a space cleared in nature." (p273) "'Infant Joy' unveils a physiological mystery. We have penetrated into a female realm.

The nearness with which Whitman approaches the sleepers is predicated on their unconsciousness. He makes them feminine objects of his godlike delectation. Romantic love - all love - is sex and power. In nearness we enter each other's animal aura. There is magic there, both black and white.

Woman's flirtatious arts of self-concealment mean man's approach must take the form of rape.

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